![scan_en53286_2021-04-27-11-23-49 (1)_edited.jpg](https://static.wixstatic.com/media/26d48f_6c290fac36954f12908f634d1c923ffd~mv2.jpg/v1/fill/w_147,h_43,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/26d48f_6c290fac36954f12908f634d1c923ffd~mv2.jpg)
AO2 - Creative Making
Throughout this project, I have used a variety of creative methods. It was important to me that the magazine was striking an had a variety of colour, texture and shape to keep the reader interested. For a few outcomes, I combined a variety of physical techniques to continue to develop the initial outcome.
For example:
I started with a secondary source image. From this, I created a mono print using black ink onto newsprint paper.
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Ink up an acrylic sheet ensuring a thin, consistent layer
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Lay the sheet of plain paper onto the ink
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Lay the image on top of the plain paper.
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Trace around the image with a pen to transfer the ink.
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Peel off the image and paper off of the ink.
This process took a couple of attempts to perfect. I found I only needed a very small amount of ink to avoid blurring of the lines and excess ink within the negative space.
Next, I photocopied the mono print onto pink card. Then finally, I coloured the imagine in using posca pens. I used a variety of bold, vivid colours that complimented the pink background.
Photography and Photoshop became a big part of the magazine. Several of the pages in the magazine include photos I have taken and then edited in Adobe Photoshop.
First, I applied the desired makeup on the model. I chose to do dark makeup around the eyes so that the eyes would really pop after editing.
I then laid the model down, ensuring that they were comfortable. I laid them on a dark blanket to achieve a dark background that the smoke would stand out on.
I then positioned a smoke machine on the floor a few meters away from the model.
Smoke was activated and as it came into the frame, I took multiple shots very quickly.
Then, I edited the imagine in Adobe Photoshop using the following method:
1. Edit image to back and white
2. Brightness to -33
3. Contrast to 100
4. Levels to 2 & 229
5. Curves to - Input:106 - Output:175
6. Shadows to - Amount:0% - Tone:0% - Radius:0%
7. Highlights to - Amount:34% - Tone:100% - Radius:43%
8. Dodge Tool to enhance the highlights in the eyes
9. Create new layer > Use quick selection tool to select the iris of the eye > Colour blue using bucket tool > Overlay
![Screenshot 2022-03-04 at 12.45.25.png](https://static.wixstatic.com/media/26d48f_cafb049ae830437b9fd691623d418503~mv2.png/v1/fill/w_98,h_142,al_c,q_85,usm_0.66_1.00_0.01,blur_2,enc_auto/Screenshot%202022-03-04%20at%2012_45_25.png)
Makeup Spread
For this effect, I scanned in some organza fabric and used Photoshop to overlay it onto my primary source image.
Textile Waste Spread
For this image, I used blue tac to secure some miniature figures to the inside of a jean pocket. The proportions of the figures next to the clothes make it look as though workmen are tryin to mine their way through an excess of textile.
![Screenshot 2022-03-04 at 12.51.57.png](https://static.wixstatic.com/media/26d48f_37372122f24b42afa06fe645364530f4~mv2.png/v1/fill/w_95,h_134,al_c,q_85,usm_0.66_1.00_0.01,blur_2,enc_auto/Screenshot%202022-03-04%20at%2012_51_57.png)
![Screenshot 2022-03-04 at 12.58.09.png](https://static.wixstatic.com/media/26d48f_2d5bee4e014b4460962f00281605d3dd~mv2.png/v1/fill/w_64,h_35,al_c,q_85,usm_0.66_1.00_0.01,blur_2,enc_auto/Screenshot%202022-03-04%20at%2012_58_09.png)
Evolve Spread
This is a reduction lino print. Printed on unwanted woven fabric.